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GARBAGGIO SERIES: 

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    ARTIST STATEMENT:

My work explores a range of themes related to environmental and behavioral toxicity. Through my art, I aim to shed light on the ways in which external and environmental factors can impact our growth and development. ​Like many artists, I use my work as a vehicle for my own concerns and experiences. Most of these are not unique. We all share many common experiences, and we are affected by those experiences and the environment we exist in.

 

In my Garbaggio series, I use houseplants as a metaphor for the individual. I explore the ways in which external factors such as toxic environments and harmful behaviors can prevent us from reaching our full potential. In addition to exploring societal and interpersonal themes of toxicity, I also center my work around environmental themes. My work considers the delicate balance that exists between humans and the natural world and the impact that our actions have on the planet's water resources.

 

Through my art, I aim to bring attention to the value of this precious resource and encourage others to become more environmentally invested and consider the social responsibility of corporations and damaging effects of capitalism on our social health and the environment. My practice combines historical painting methods with nostalgic elements of pop culture.

 

I draw inspiration from artists such as Artemisia Gentileschi, Caravaggio, and Goya, and wealth of pop culture influences. My work while serious in theme is ultimately intended to be engaging and playful. As an artist, designer, creative, and educator, I believe that art has the power to bring people together, create meaningful dialogue, build community, and inspire change.

Thanks for visiting,

Christie Cannon

WATER IN VARIOUS STATES

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GASLIGHTS, FOSSIL FOOLS, & CORPORATE ENTITIES

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THE BOTS 

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   THE BOTS

The Bots are stand-ins for identity, for the self, for the way modern life asks us to perform, optimize, and function within systems that were never really designed with people in mind. There's a capitalistic dystopian quality to them, but they are also completely absurd, and that tension is the whole point.

Humor is a great tool to deal with uncomfortable subject matter.

I paint them in the kind of colors that make up bold fashion choices: vibrant, playful, unapologetically exciting. That's intentional. The work invites you in with delight and leaves the heavier thoughts available if you want them, but never demands that you take them. You can engage with a Bot as pure visual pleasure and walk away satisfied. You can sit with the satire. You can do both. None of these are wrong answers.

Some works in the series carry a hidden visual element, something that only reveals itself under certain conditions, stumbled upon by accident during the making and kept because it worked, and because the best surprises in art are the ones that feel inevitable in hindsight. It rewards the curious without punishing anyone who never thinks to look.

At their core, the Bots are about finding that small, specific moment of joy that pulls you toward a piece of art before you've had time to think about why. I love that moment, that little hit of delight, to me it is  one of the most important things a painting can do.

LEGACY WORK FROM THE WAYBACK : 2009 to 2012

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LEGACY WORK FROM THE WAYBACK: 2003 - 2008

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CannonArts is the origional work of Christine Cannon. Works may not be used or reproduced without express permission from the artist. CannonArts 2026

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